Movies Posts Tagged as 'Magnetism'
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One Flew Over The Cuckoo's Nest (1975)
There is a threshold of high mentality professionals cannot consume or understand so they isolate, daze and shun the unwell from reality thinking it will make them better but they're just keeping them away from us. The insane asylum is the "soccer mom" equation incorporated as rehabilitive juice. If you keep the child's mind busy life wont hurt it. Nurse Ratched is neither monster or killer. She represents the woman in charge who will do what it takes to chase the crazy out of these fuckers and get herself a promotion. She does her job better than any man or human. Her hate for men keeps her in check as long as she can control them. Louise Fletcher is etched in subtlety. She's discernible, rational and a doctor's prescription. Her murderous thoughts are a delirious read. She spends a short time in the film but her character wafts through every room, corridor and human being begging for a moment's joy. Jack daddy legend is in it to disrupt it and kill her perfect employment record. He is a man with ownership rights and a threat to her profession. He has no mental issues that would require him to be there except that he hates work and wants to coast in a nut house. He is chaos and destruction but not insane. He hates life but he can survive it. He will inhale only the convivial parts of it. Booze, parties, women and trouble. He pretends, he awakens, parades his heart with glee and makes a team of his followers. Jack is there to free them of their haze and enlighten them with the cool parts of reality. But sadness breaks out and explosions erupt endangering their mental situation. Jack smiles, hates the world, speaks our language, slays our speech, breaks our hearts and is one of the funniest sarcastic mother fuckers of all time. Excellent across the board. 21-Sep-2020
Star 80 (1983)
The tragedy of beauty versus beast. The purpose of beauty is to inspire us. If it touches you, you are beautiful in return. It's that perfect thing that exists like a God smack to the earth. The men want to devour it, the women prefer to absorb it and forget it but the younglings want to marry it at first sight. The sculptor who attempts to shape it, before full bloom, will burn his hands on the coffin he molds around it to keep it safe. A woman will always wake up. Beauty belongs to the world not encapsulated by a man who thinks he's just as beautiful because he licensed it. Fosse snips from Citizen Kane and gives it the hutzpah the classic lacked. Fosse's mastery is beauty, movement, thrill and dash. Eric Roberts gets inside our heads and makes us understand that hot greasy ass motherfucking psycho crooked legged cowboys with great hair have feelings. Fosse resoundingly echos him. Mariel Hemingway is neither thunder or lightning. She is a cloud of beauty that doesn't need announcement. Mariel's innocence allows the tragedy to happen and unfold. It has an ending Tarantino wouldn't touch and the original footage is brutal, salacious and true. Absolutely psycho. 12-Sep-2020
Golden Blade, The (1953)
Arab tale about a magic sword giving the wielder a purpose. It cuts through metal and gay Superman (Rock Hudson) brandishes it. Piper Laurie (Carrie White's mother) exudes royal female liberation and useful beauty. She gets involved. Jafar is the big bad of Baghdad, the action is well choreographed and the production is fun. It has good thoughts on women and establishes men can't live by their swords. They break. The politics are outdated but who gives a fuck. Nobody likes shit on their popcorn. 13-Aug-2020
Once You Kiss A Stranger (1969)
Strangers on a Train stop at Fatal Attraction. Carol Lynley is a Peter Pan wet dream that never relents. She scares children with harpoon guns, she brawls with pet cats and she threatens old people with off-color gossip, death fascinations and frequent visits. Her mental health is homicidal. Ms. Lynley unbinds from daddy adoration and shakes her personal hate towards everyone. The daddies have expiration dates and are being coerced into reclaiming #1 status or lose thoughts of ever having a "good time,"again. Once an unknown pixie enters a married man's hotel room with her nightie on, he's fucked. The tribute is soaped up and spread out, the stunts are hilarious and the actors don't lose a beat. It stings and entertains, like mexican candy. 29-Jul-2020
Little Women (2019)
I sat down prepared to hate. New feminism interjected to classic "girl power." That was going to be offensive to me. An hour in, I asked myself, are they still playing music underneath the act and then a few minutes later I gave up and enjoyment crept in. When Saoirse Ronan's perfection subsides and we see a deeper core of the character, I rejoiced and asked discrepancies.
Emma Watson is asked to bank on likability instead of relying on bits of herself that can make a character great. Stop hiding and come forth. Be whatever you are. It will be great.
Timothee Chalamet almost made me believe in romance. Florence Pugh pushed the thought further.
Laura Dern makes it as easy as inhaling a line of coke in the 80s. Good for her.
A woman that frees herself has broader opportunities than anyone.
Greta Gerwig's force is in it. The errors that I caught will be her art. The special place she created was a safe place to visit. That is not an easy world to create. 24-Jul-2020
Boy's Night Out (1962)
One single man and three married friends pep up boy's night out and and wives night in by subletting an apartment with a blonde in it. The blonde is a succulent dish with feminine wiles of the intelligent sort. Kim Novak supplies the dream that is studiously experimenting and extinguishing the horn that lives in men. James Garner doesn't need a dream to want him but watching him put the moves on is tingly. Tony Randall always demonstrates such glee at his own perversion. The movie falls flat because it doesn't dare to do half the things it suggests and the men basically get away with murder. 24-Jul-2020
Go Tell It On The Mountain (1985)
Exploring the unity a church provides to a community struggling to stay afloat.
The protagonist is a teenage stepson born out of lust and into parents of mighty faith and little activity. The boy envisions his place in a white world that bestows him educational merit and Hollywood allure. Stepdaddy preacher has white resentment and believes the boy must learn the word of Jesus and disavow all the teachings of the white man so he can claim his benefits afterlife.
Great arguments ensue about what is a sin, enjoyment and a life. Boys don't want to be socked in a church when there is adventure, sex and violence to be had. Fear of community misrepresentation causes the parents to lock children in. (It seems we are always in one prison or other.)
Paul Winfield is the man of sin whose only recompense is Jesus. Blindsided and stubborn he fights to be the master of a household that's always revolting. His authority is frightful, his words are probable and his weapon is God.
The shading of the past to inculcate the steps of the future was tight. When the female actors revolt and exorcise their demons, crazy hungry talent is displayed. The boys were humble with pride.
The end is an exorcism that doesn't coerce any answers but that may be its point. No one knows shit. 21-Jul-2020
Wild One, The (1953)
Life protestors with a penchant for bling, bikes and young things invade suburbia with destruction. The cops are too tired and don't want to get involved, the neighborhood uprises in arms and their little girls arch (they too have things to protest.) Parents are losers, youth is life, old is death.
There are illusions of gang rape and rape.
The women are confidant they can slow one down.
Marlon Brando explodes into both sides of his jeans like the rebel who doth protest too much. He was the untamable man that wanted to be tamed. The epitome of fluidity and all fan desires thereof, he institutionalized the gay man mystique and cis man "rapey" acquiescence. He's an everyman. That Brando granted my celibacy a woody, especially in black and white, speaks of "legendary animal."
The privileged only hate when others are troublesome. Good for them. 16-Jul-2020
Invasion Of The Body Snatchers (1978)
Daddy "pod people" proficiency. I can't imagine a better cast to deliver a concrete, spooky conspiracy. It turns the brain on and our survival mode kicks in as the repetitive blankness coerces the free thinker to scream in frustration. 16-Jul-2020
Mask, The (1994)
A movie that succeeds in spite of its inanity. The effects still impress. Jim Carrey's comedic chaos mimic and Cameron Diaz' unflinching bombshell elevate it. 02-Jul-2020
Jaws 3 (1983)
The fun stops here. 22-Jun-2020
Daughter of Shanghai (1937)
Smuggling asians to America for slave labor. It's big on gumption because the makers gambled on a "good eye". There is a jolt of celebration in seeing ourselves being portrayed in a prohibitive era. The film is incomplete, scarcely budgeted and cold in character development. It's not its fault. What blesses it, is Anna May Wong's illumination and a supporting cast that keep it burning. The characters were typed to be as they were. 13-May-2020
Third Day, The (1965)
Can a man become an enlightened human if an accident causes him amnesia? Not if your mug is still wanted for murder.
George Peppard is grand business daddy, never demurring from blankness while still eliciting great face.
Elizabeth Ashley was privileged bitch wife, with an redemptive opportunity for love and a zestful beauty of another.
Sally Kellerman knew how to turn it on and shut men down.
Mona Washbourne elicited comic wit relief and parental heartbreak.
Roddy McDowell. The best cocksucker in Hollywood actually had other talents.
Arte Johnson crept trying to put a creepy face on a "love me" persona.
Music. It sounded like every summer blockbuster score rolled into one.
It's sumptuously over, to guiltily enjoy. 11-May-2020
Humanoids From The Deep (1980)
Cis sea monsters killing dogs, children and men so they can rape the women. It's pure schlock, WTF and astounding they pulled it off. I was less hesitant to watch because it was helmed by a woman. A woman, Barbara Peeters, would never exploit it. She handles her task, dons a penis cap for the shots and switches to thinking emotion about circumstances. She navigated like a pro. The fight scenes turned out hilarious but the racism, kills and rapes were sharp. All sexes, breeds and races shared the heroism.
(What were these people eating then? Their hair looked terrific.) 08-May-2020
Lighthouse, The (2019)
A psychology whose study is based at its present moment. Dafoe arghs and puffs with superiority and a seasoning of humanity. Pattinson is learning, maturing and blowing things up. A beautiful coupling. 03-May-2020